Kleurenstudie: Vierkanten met concentrische cirkels moederdag but chose radically different paths

but chose radically different paths

The composition exudes pure joie de vivre

Just the IJssel landscape

Niet strijken en niet in de droger

he cut silhouettes of seabirds

Kleurenstudie: Vierkanten met concentrische cirkels moederdag but chose radically different pathsWassily Kandinsky painted this work in 1913 as a personal colour study, never meant to be exhibited. He used it as a reference while working on his larger paintings. Kandinsky believed colours could trigger feelings, much like music does. He literally heard sounds when he saw colours: bright yellow rang like a high note, deep blue like something low and full. Twelve squares, twelve unique colour combinations. It is over a hundred years old and still