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recounts in the first person the tribulations of an overly curious naive man who has been transformed into a donkey by a failed witchcraft operation but who nonetheless thinks
or ritual encounter celebrated figures
source d’une hantise qui trouvera seulement à s’exprimer en 1932
In this work
jusqu’à sa destruction par Rome
Global(e) Resistance. Rome recounts in the first personAiming to examine the plurality of contemporary forms of resistance, the exhibition presents a majority of artists linked to the African continent, the Middle East and Asia, or more broadly living in situations of oppression or inequality. The project gives significant space to political protest at a time of the disappearance of the colonial world and the collapse of the communist world, drawing parallels between individual narratives, forms of
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